Saturday, August 19, 2017

'My Life as a Zucchini' is a solid animation.

Like many others, if I have to choose between watching a live action movie or an animated film, it's usually an easy decision. In most cases I'll watch the animated film, because it's much more likely to put me on a better mood.

After all, when it comes to animations, you don't judge characters in them the way you judge actors in live action movies. There's no prejudice involved with animated characters, which makes watching them so much easier.

In that sense, it wasn't a difficult decision to give a chance for a French animated film called 'My Life as a Zucchini'. This is a movie that was nominated at this year's Academy Awards in the best animated film category.

In essence, the movie tells a story about a young boy called 'Courgette' (Zucchini). Once he becomes an orphan, he is moved to an orphanage, where he meets other kids who haven't been fortunate in their lives either.

Over the course of the film's one hour length, the animation deals with all kinds of issues that have to do with the main character's situation. There's stuff about abandonment, friendship, acceptance and making the best out of what you have.

When it comes to 'My Life as a Courgette', very likely the best thing about it has to do with how simplistic and how down to earth it is. The themes in it are clear and there isn't anything in the film that doesn't belong to it or that feels forced.

Unlike in most movies, almost all the characters in it are likable and relatable. Every person in the orphanage, including the personnel, are characters that you can relate to and who are trying to work in the best interest of the kids.

When it comes to the animation in the movie, the stop motion technique works really well. It's a real pleasure to watch these characters and how the makers of the film have managed to make them so lively and full of emotion.

These high quality production values also apply to the voice acting. Especially when it comes to the original French version of the film, you can't help but to fall in love with these characters and how authentic they sound.

If there's anything in the movie that could have been better, I guess it has to be said that the ending for it was a bit lacking. The movie should have gone a bit longer so that the last fifteen minutes of the film could have had a better flow.

At least in my opinion, the last phase could have used a couple more extra scenes that would have made the ending more satisfying. There was something missing from the script that made the finale a little bit underwhelming.

Still, despite these fairly minor flaws in the film, it has to be said that I'm glad that I managed to watch 'My Life as a Courgette'. It's good to notice that movies like these exist and that they're not all the same old, same old.

As a whole, even though the film doesn't sugar coat things and doesn't shy away from real stuff, it manages to entertain. It manages to give you hope and makes you feel that just because things aren't going your way, life can still get better.

Friday, August 11, 2017

Ideas vs. execution in quality screenwriting.

When it comes to ideas and execution in screenwriting, there's an age-old saying which says that 'good ideas are a dime a dozen and it's the execution of your idea that counts' when it comes to writing a good screenplay.

According to this saying, no matter how good your idea is, your idea is just an initial premise and only the first step in the process. Executing it doesn't guarantee that your premise will necessarily lead to anything good.

I've been thinking about this idea vs. execution thing especially after managing to finish my very first movie screenplay. Why is it that the execution counts so much and why your initial idea doesn't necessarily mean that much?

Very likely the best way to answer to this question is by saying that 'a good idea' really is just the first idea that you need for your story. In order to write a solid screenplay, you need to come up with a lot of 'good ideas' before your work is done.

By that I mean that any good screenplay is going to have at least a couple of dozen solid ideas in it. These solid ideas are what keep the story and the characters going and that keep the audience interested in what's going on.

It simply isn't enough to think that one super special idea is going to be all that it takes. It's not enough to think that just because you managed to come up with a 'great' idea, you can now start slacking with your project.

On the contrary, you need to have a lot of ideas and you need to have a good judgement about how to execute them. You need to be able to figure out which of your ideas make sense and which aren't good enough as a whole.

At the same time, when we're talking about how important the execution part is, this is not to say that having a good first idea isn't important. I'm not saying that you can slack with your premise as long you're willing to execute your script well.

As unfortunate as it is, when it comes to most screenplays, the basic idea in most of them just isn't good enough. The 'ideas' that they're based on aren't solid enough and don't have enough potential to become quality scripts.

In reality, if your premise and your idea isn't good enough, no amount of 'hard work' is going to save your screenplay. These 'weak premise' screenplays are never going to work, no matter who is going to be in charge of writing them.

In that sense, even though it's true that your 'great idea' by definition isn't all there is to the process, it still counts. That's why you should always make sure that your premise does have enough merit and that it's believable enough.

After all, by making sure that you have a good premise, it's going to be much easier to start developing your screenplay. If you're willing to pay attention to the basics, it's much more likely that your script as a whole has more potential.

As a whole, not only is there a better chance that your characters are going to work, but there's also a chance that you're going to create storylines that respect the premise. This way your script might actually work at some point.

In the end, when it comes to writing good screenplays, it really pays off if you manage to come up with a solid, workable idea. It pays off far more often if you're willing to come up with a premise that people might actually get interested in.

The truth is that if you're smart enough or lucky enough to get a solid premise, there's a much better chance that you'll create something good. It makes the writing process a lot more tolerable and a lot easier as a whole.

On the other hand, if you're not willing to pay attention to your basic story idea, you're going to be in big trouble. If you're not willing to make sure that your story idea makes sense, things are not going to work out for you.

In that case, all that hard work with the screenplay will likely be in vain. Instead of creating something solid, you'll end up working with a script that doesn't have enough merit and doesn't have what it takes to keep us entertained.